case study: late to the party album rollout
A self-produced, year-long brand campaign executed across social content, narrative storytelling, and live events in New York City.
CAMPAIGN SNAPSHOT
200K+ Instagram impressions
+700% TikTok followers
+170% Instagram followers
3 Sold out NYC shows with no prior NYC event experience
200+ engaged fans in artist Discord server
Through this album rollout, I developed a hands-on fluency in brand strategy. I built the brand direction from scratch, aligned every content piece to a cohesive narrative, and produced high-quality creative across channels, adjusting based on what the audience responded to. The campaign drove real-world results: sold-out live events and experiences in NYC fueled by genuine community excitement. What I walked away with most is a conviction that authentic storytelling is the strategic core of any brand that actually connects in this day and age of oversaturation.
AUDIENCE COHORTS
Queer and alternative young women in non-urban areas using pop rock energy as a portal out
Primary signal: highest engagement demographic across TikTok and Instagram
Who they are:
Ages 20-25, women, alt/queer
Chronically online, high Discord activity
Grew up on Pierce the Veil, Paramore, Big Time Rush
Located in small towns and cities with less physical access
Live primarily on Tik Tok
Huge on fandoms: Chase Atlantic, Dutch Melrose, WesGhost
What they care about:
Affirming/inclusive spaces and free gender expression
Artists who are honest about identity and invite fans into their fold
High energy, emotionally driven music and content
“This song got me through __” is the highest praise
Young NYC artists and creatives looking for a DIY music community worth showing up for
Primary signal: dominant demographic of live event attendees, with high repeat attendance
Who they are:
College aged creatives & recent grads looking for community, skews male
Scrappy NYC based artists, musicians, designers
Live on Instagram and develop trust through word of mouth
Overlap with indie, alt pop, DIY scene audiences
Art school kids (Roc Nation School of Music, Parsons)
What they care about:
Authentic experiences in the real world
Artist to fan intimacy, community relationship
Access to creative networks
Brand visuals, aesthetics, and perceived motion
Being a part of something organic and being early to it
Pop fans looking for the nostalgic pull of early 2000s pop rock in something that feels current
Primary signal: unprompted TikTok comments drawing comparisons to formative pop rock acts
Who they are:
Ages 22-30, skews female
Live on TikTok and deep in online music communities
Cultural nostalgia consumers, 2000s emo & y2k
Grew up on Fall Out Boy, Panic at the Disco, All American Rejects
Current fans of KennyHoopla, Willow, Olivia Rodrigo
What they care about:
Big guitars, raw emotion, emo aesthetics
Close knit fandom communities
Music as therapy, late night drive energy
Unfiltered artist energy, not polished PR
Familiarity without being too derivative
PHASE 1: FATE
Primary Content Piece: FATE narration Writer, Director, Producer: Aidan Fox DP, Editor: Owen Hammel
ANALYTICS
SOCIAL LISTENING
Supporting brand content
Brand motifs: light colors, sky, moon, dreamy, everyman working class aesthetic
ANALYTICS
SOCIAL LISTENING
High demand for acoustic version of “FATE” led to
Increase in acoustic content on TikTok
Creation of higher quality live acoustic performance series
Creation of acoustic version of forthcoming single and acoustic deluxe album
PHASE 2: LATE TO THE PARTY
Primary Content Piece: LATE TO THE PARTY Music Video Teaser Director, Editor: Love, Kelly Writer, Producer: Aidan Fox
ANALYTICS
Supporting brand content
Brand motifs: boy band aesthetic, rooftop, DIY, VHS camera, bold vivid colors, community
Top performing posts
ANALYTICS
social listening
Viral TikToks for LATE TO THE PARTY revealed a demand for a community page which led to:
Creation of Discord server with 200+ engaged fans
Secondary instagram account for photos of the people making up my events @late2thepxrty
Weekly Discord programming (live song breakdowns, game nights, music listening streams)
Formation of moderator council and weekly check-in calls to discuss strategy for keeping members engaged
PHASE 3: BANK ACCOUNT
Primary Content Piece: BANK ACCOUNT Single Teaser DP, Director, Editor: Simon Reed Writer, Producer: Aidan Fox Actors: Katherine Libenson, Aidan Fox
ANALYTICS
Supporting brand content
Brand motifs: double life, red/gold/b&w, rockstar aesthetic, working class reality, bold typography
Top performing post
ANALYTICS
social listening
Signals of engagement led to:
Increase in content shot at restaurant on Tik Tok and Instagram
Social media strategy brief for double life concept on Tik Tok
Proof that fans crave raw and authentic stories
Proof that target demographic wants to feel close to me as a person and to relate on a human level
3 of my fans who became friends in my Discord server road tripping to NYC to see me at my restaurant!
PHASE 4: album release
Primary Content Piece: Album Trailer Director, Editor: Simon Reed Writer, Producer: Aidan Fox
ANALYTICS
Supporting brand content
Brand motifs: emo aesthetic, shaggy hair moon pendant, red/gold/b&w, bold typography, electric guitar
Top performing post
ANALYTICS
social listening
Comparisons to Emo Pop artists led to:
Leaning more into darker emo visual aesthetic
Conducting research into the brands of the artists my fans listen to
Tweaking language in Tik Tok captions to be more culturally relevant and reflective of fans’ taste
REFLECTION
Strategic Takeaways
Highest performing content documents real life moments; shared community experience and fomo drives engagement
Longer form narrative content performs well with pre existing audience but doesn’t trigger broader algorithm, use short form content to supplement it
Email lists, personal messages, replying to comments builds stronger bonds with fans
Framing content as a journey for fans to join and contribute to drives engagement and support
Authentic storytelling versus posturing always wins out, especially for a newer or smaller brand